sábado, 11 de agosto de 2012
Crusch Alba_by Gus Wustemann
The project is our flat in Barcelona in the Gotico area, in the center of the historic part of Barcelona. A challenge was the very heterogenic floor plan, which was interrupted by various light patios. The other issue is little daylight in the old town of Barcelona, as the sun and the heat were considered rather a burden in the old times.
There is one major façade facing the street Banys Nous, with big windows and balconies. It was clear that we would have a big living space in this area. For the connection, organization (circulation) and lighting up the back part of the apartment we had to come up with an invention:
Crossing two programs = the white cross.
The invention was to cross two programs: the kitchen and the bathroom, two brightly light up white spaces, forming a white cross. The white cross we put between those medieval walls and created a bright center in the middle of these fragment spaces and light patios. The crusch alba (white cross) is a crossing of two programs, there is no circulation, no matter where, you are either in the kitchen or in the bathroom. The rest of the space, the walls and ceilings are left in its original state: raw stone walls, wall paintings and raw plaster finishes.
Intervention of layers - pictures of the old times.
We implemented the white cross as a new volume in the existing space and created openings into this white space. We light up the periphery: the border between old an new. In that respect, the layer outside of the white cross becomes the outer space, generating pictures of ‘the old times’ like looking outside a window into another landscape. By coincidence, real windows appear in these openings.
We left all the old surfaces in the original state, just varnished them: painted ceilings, painted wallpapers, raw old stone walls of the Gotico and even raw plaster of the new building interventions. The overlay of layers of old and new with light in between emphasizes the lack of hierarchy of old and new. It’s the feeling of not finishing; keeping it urban and letting the process and time be visible that gives a feeling of freedom.
Space Machine – the spaces are not defined by walls, floors or volume.
The apartment can be used as loft or as a three bedroom apartment. The white cross is physically and visually the center core of the back part of the apartment. The actual bedrooms and the bathroom can be divided by big sliding doors and are not defined by the cross itself. So the master bedroom space is part of in the white cross and part of the remaining old space (old layers). So the actual rooms are urban spaces, as they are part of various elements.
There is a major structural wall separating the living area from the white cross and the private areas of the apartment. Two door size openings and a window to a light patio are the only connection to the living area, dividing the flat in two parts.
We dissolved the original wall into a sequence of elements, so that the openings become in between spaces of things touching, rather than holes in wall. So the separating element becomes the connecting element, an attractor brought to life by light.
There are numerous options of how many bedrooms and niches we can create as bedrooms. The kids have foldable mattresses, so they can choose where they want to sleep. The kids are ‘camping’ in the apartment, with no fixed bedroom.-
Location: Barcelona, Spain
Year: 2009
Words: Courtesy of Gus Wustemann
Photographer: Bruno Helbling
sexta-feira, 10 de agosto de 2012
Copenhagen_Fashion Week S/S 2013
Já que me quero antecipar, bem sei que deveria começar por as Colecçoes de Outono Inverno deste ano...
Mas...
Talvez por ainda só conseguir pensar no Verão e no Calor, dá-me para espreitar as super recentes novidades das Colecções de Primavera Verão de 2013! O que fazer!?
Adoro a Fashion Week de Copenhaga! Cada Ano melhor e mais variada!
quinta-feira, 9 de agosto de 2012
Hotel Crayon_Paris
Hotel Crayon 25 Rue du Bouloi 75001 Paris
Located in the heart of Paris, close to the Musée du Louvre, Hotel Crayon is not your typical design hotel. It is a new version of the guesthouse and the home of Parisian artist Julie Gauthron. She has scoured antique shops and flea markets to furnish the 27 rooms, all of which have their own special character. The result : a unique patchwork of ideas in an eclectic, vibrant and creative environment that mixes colors, patterns and materials.
terça-feira, 7 de agosto de 2012
I´m in Love
Gosto tanto... Frescos, Lindos, Confortaveis.
Estes e mais uns tantos, fazem parte de todas as noites relaxadas do meu Verão! :)
domingo, 5 de agosto de 2012
quinta-feira, 2 de agosto de 2012
Dune House_by JVA
The house is situated in Thorpeness, England on the Suffolk coast, replacing an existing building at the site. The house is a holiday house for rental and is part of Living Architecture.
To get a planning permission it was important to relate to the existing, typical, British seaside strip of houses. The roofscape, the bedroom floor, somehow plays with the formal presence of these buildings, and also brings into mind a romantic remembrance of holidays at bed- and breakfasts while traveling through the UK.
The ground floor is contrasting this by its lack of relationship to the architecture of the top floor. This architectural ambiguity of the house also addresses the programmatic difference between the private upper floor and the social ground floor. The living area and the terraces are set into the dunes in order to protect it form the strong winds, and opens equally in all directions to allow for wide views. The corners can be opened by sliding doors; this will emphasize the floating appearance of the top floor.
While the materiality of the ground floor; concrete, glass, aluminum, relates to the masses of the ground, the upper floor is a construction made of solid wood, cladding stained dark as the existing gables and sheds found in the area.-
Location: Thorpeness, Suffolk, England
Building type: Holiday House
Client: Living Architecture
Size: 250 m2
Schedule: Completed December 2010.
Primary architects: Einar Jarmund, Håkon Vigsnæs, Alessandra Kosberg, Anders Granli.
Collaborating architect: Mole Architects Ltd.
Photography: Nils Petter Dale, Ivar Kvaal
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